We can use “duly noted” in both written and spoken conversations. We often use duly noted in official documentation, like meeting minutes.įor example, if someone brings up an objection to a policy, the meeting minutes might say, “the objection was duly noted.” This tells us that everyone present heard and acknowledged the objection.ĭuly noted implies that an idea, argument, or contribution was given proper consideration and recorded appropriately. Noted has several meanings, but the relevant one here is “recorded.” Duly Noted Usage It can also mean “at the right time” or “in an appropriate manner.”

These synonyms help us understand the many definitions of “duly.”ĭuly means properly or fittingly. The word “duly” comes from the adjective “due.” “Due” has several definitions, including “'rightful,” “proper,” “fitting,” “adequate,” and “sufficient.” For example, you might hear the phrase in due time, which means in a fitting amount of time, at a sufficient time, or at the proper time. To understand what this phrase means, let’s break down the two words.ĭue and duly both have several different but closely related meanings. Here, he writes or co-writes all twelve songs, and it’s a mistake-they are earnest and sometimes memorable, but none approach his finest work.Duly noted means “acknowledged and given the proper consideration.” Where Does the Phrase Duly Noted Come From? Green has always been a sublime interpreter his covers of Willie Nelson’s “Funny How Time Slips Away” and the Bee Gees’ “How Can You Mend a Broken Heart” are as central to his canon as any of his own compositions. This has all the makings of a séance, but the results aren’t nearly haunting enough. Mitchell reassembled many of the musicians who played on those records and even staged the reunion in the same Memphis studio that they used in the seventies. “I Can’t Stop,” his first album of entirely secular music in twenty-five years, pairs the singer with Willie Mitchell, the producer responsible for Green’s string of seventies hits. Morrison’s Blue Note début is anchored in the present Al Green’s seems chained to the past.

“I’m living in the present time / Baby, don’t you understand / I left all that jive behind.” He also turns in an eerie cover of “Saint James Infirmary,” updates “Moondance” with the catchy “Once in a Blue Moon,” moves confidently from acoustic folk (“Little Village”) to Stax-inflected soul (“Get On With the Show”), and generally demonstrates that his muse is far from exhausted. Best of all is the title track, a ruefully funny rebuke to fans who pine for the starry-eyed young mystic of “Astral Weeks.” “I’m not that person anymore,” Morrison sings. No fewer than four songs address the biography dustup by carping about the drawbacks of fame, and while “Goldfish Bowl” suffers from a failure of perspective-Morrison isn’t exactly prime tabloid fodder, no matter what he thinks-other songs are small masterpieces of cantankerousness. But his new album, “What’s Wrong with This Picture,” finds him in a brighter mood: the melodies are tight, the vocals are energetic, and the subject matter transcends his usual muzzy nostalgia for nineteen-fifties Belfast. Morrison, always a difficult personality, has been almost impossibly truculent in the past few years (he recently tried to block the publication of a new biography).